Installed a visual machinery that included a set of figures and a paper recycler. The line of figures were gradually used by the public in order to feed the recycler. Incorporating the spectator's participation into the actual making of the work I aimed at turning the production of art into a social event the destruction of the paper figures made of the installation one that continually consumes itself negating in that way its own validity as self-contained auratic visual statement as a setting for collective production.